A synthetic model, made on purpose.
There is no photographer, no set, no flight to Seoul. There is a model file, a wardrobe library, and a colourist.
Han Yuna was built for campaign work that needs the same face in fifty places at once — resort in one frame, knitwear in the next, both shot Tuesday. Her look is fixed: the identity file is versioned, so a client booking her in March gets the same woman in November.
Nothing here is disguised as photography. Every plate carries its seed and pass count, and that line stays on the image wherever it runs.
Fourteen passes of the same afternoon. The room was never real, and the salt on the sill was never real, and she stood in it anyway.
Salt Room is the first series shot entirely at 85mm equivalent. Wardrobe was built from a single bolt of unwashed linen and re-draped between passes.
Campaign, lookbook, or a single post. Send the brief and the wardrobe, get graded plates in 72 hours.
Han Yuna is a synthetic model. Images may not be presented as photographs of a living person. Plates supplied for press use keep their render slug and the line “generated image” in any caption. Editorial reproduction is granted at no fee; commercial use is licensed per campaign.